The Kettleby Archive · Episode 3

The House Sitting Rules Said Never Answer the Cellar Door

The House Sitting Rules Said Never Answer the Cellar Door — cover
© 2026 Lou Lou Press · The Kettleby Archive. All rights reserved — please share the link, but don't copy, re-upload or re-voice this episode.

Have you ever been handed a list of rules for a house you're staying in, and realised — halfway through reading — that whoever wrote them had already met whatever was down there?

Chapters:
0:00 The Rule That Changed
1:26 Rule Nine, Read Aloud
3:03 Eleven PM, Three Knocks
4:47 Seven Knocks, Then Silence
6:25 It Said My Name
8:12 PC Hatch Is Certain
10:01 Timing The Knock
11:45 A Service Station At Dawn
13:22 The List Had Eleven Rules

Written and narrated by Alice Kettleby.
Original fiction — names, places and events are invented.

Chapters

  1. The Rule That Changed
  2. Rule Nine, Read Aloud
  3. Eleven PM, Three Knocks
  4. Seven Knocks, Then Silence
  5. It Said My Name
  6. PC Hatch Is Certain
  7. Timing The Knock
  8. A Service Station At Dawn
  9. The List Had Eleven Rules

Read the story

Have you ever been handed a list of rules for a house you're staying in, and realised — halfway through reading — that whoever wrote them had already met whatever was down there? The list had eleven rules. Rule nine was underlined twice. It said: whatever you hear from the cellar, do not open that door.

The handwriting on rule nine looked newer than the rest. My name is Mark. I was thirty, I was broke, and my landlord needed rent by Friday. A woman called Sylvia Crane was offering a hundred and eighty pounds cash to sit her house for three nights. Water the greenhouse, take in the post, keep the lights on a timer.

That was the whole job, she said. Easy money. I told myself it was the easiest money I'd ever make. The house was a narrow Victorian terrace in a village called Ashvale, Pell Street. Front door opened onto a long dark hallway, kitchen at the back, stairs on the left. And that low green door at the end.

The rule-sheet was laminated, left on the kitchen table. Rules one through eight: mundane. Boiler pressure, the cat's feeding times, the timer switches. I read them out loud to the empty kitchen. Made myself laugh, actually. Then I got to rule nine. 'Whatever you hear from the cellar, do not open that door.

' Underlined twice. I held the sheet up and said, out loud: 'Bit dramatic, Sylvia.' I actually said that. I'd met Sylvia the morning she left. She spent forty minutes walking me through the house — every light switch, every window lock. She never once explained what the rules were actually for.

Just: 'The list is self-explanatory.' I noticed her eyes kept going to the cellar door while she was talking. She always positioned herself with her back to the wall — never to that door. And there was a smell near it. Damp earth, almost. Her last words before the taxi: she gripped my forearm and said the cellar rule wasn't a preference — it was a condition of the job.

'If you break it, I'll know.' Then she was gone. First hour alone — the house was perfectly ordinary. Cob, the grey tabby, was immediately friendly. The greenhouse was tidy. I made tea. Everything was fine. Then I found the cable ties in the kitchen drawer. A box of heavy-duty cable ties.

Twelve used. One remaining. Left on the shelf next to the teabags, of all places. I photographed it on my phone. Told myself people use cable ties for all sorts. Sure. First night, eleven p.m.: a sound from below. Slow, rhythmic knocking — three beats, then silence. Three beats, silence.

I told myself rule seven said the boiler clanks. I put my earbuds in. The knocking stopped after ten minutes. Cob settled next to me, purring. I made another tea, watched something on my laptop, and filmed a short clip to send my flatmate. Said it myself: 'This is easy money.' Second morning, six forty a.

m.: I went to make coffee and the cellar door was ajar. Not open — one inch of darkness. And the cable-tie box had moved from the shelf to the counter. I hadn't touched either. I found Sylvia's number and called — it rang out. Texted her. Forty minutes later: 'The latch doesn't catch properly.

Use the bolt.' There was a bolt on the outside. I slid it shut. The rationalisation held. Barely. Second afternoon, two p.m. : I was in the greenhouse when I noticed the exterior cellar grate — a rusted iron vent at ground level. And through the bars, in the darkness below, something shifted.

Then stopped. Cob was inside. Asleep on the stairs. So it wasn't the cat. I stood at that grate for a long moment — then walked back inside without calling anyone. I'll say it plainly: I let money make the decision. At 1:17 a.m., it started again. Not three beats this time — seven.

Slow, deliberate, with a pause after the fourth that felt considered. I lay still and counted. It stopped at seven. Every single time. I opened my voice-memo app, set it recording on the nightstand, and aimed my phone camera at the gap under the door. At 1:31, the knocking started again.

When I played it back — nothing. Just my own breathing and silence. Hey guys, thanks so much for all the support. If you haven't subscribed to the channel yet, please feel free to do so. At 2 a.m. it stopped completely. I checked the landing — nothing. Cob the cat walked back to the bedroom, curled up, and went to sleep.

I decided it was definitely the boiler. Within ten minutes I was almost asleep. At 2:14 a.m. the bolt on the cellar door slid open. Not a bang. Not a slam. A slow, careful, deliberate slide. One clean metallic sound in a completely silent house. I was wide awake before it finished moving.

I am sitting up in bed and I am not moving. I hear the cellar door swing on its hinges — that small creak I noticed earlier. Then footsteps in the hallway below. Slow. Unhurried. Like someone who already knows the layout. The footsteps stopped at the bottom of the stairs. I heard breathing — slow, nasal, slightly wet.

A long pause. Then a voice, low and conversational, said my name. Just 'Mark. ' The way you'd say it to someone you assumed could hear you. I forced myself to think. Front door: past the stairs, past whoever was standing there. Back door: through the kitchen. I had my phone. My shoes were still on — I never took them off.

The chair was still under the handle. I called Jonah — not 999. When he picked up I kept my voice completely normal: 'Ring the non-emergency line for Ashvale, request a welfare check on the Crane house, Pell Street. ' He understood immediately. Footsteps climbed the stairs. Three steps — then stopped.

The figure shifted its weight. Cob made a sound I'd never heard from a cat. Not a hiss. Something lower. The footsteps retreated, and the cellar door swung open but didn't close. I timed it — nineteen minutes in the room, then I moved. Top of the stairs, hallway clear, front door in about eight seconds.

I was on the pavement before I registered my shoes were already on. The cold hit me anyway. A patrol car arrived eleven minutes later. Two officers went in, came back out five minutes after that. The house was empty. Cellar door shut, bolt closed. Small storage room — a chest freezer, some boxes.

Nothing else. That's what they said. PC Hatch wasn't unkind. She was just certain. Old houses, faulty bolts, pipes — she'd seen it before. She didn't look at the note photo when I held up my phone. She said they'd log the call. Then she drove away. I rang Sylvia from the pavement.

She answered on the first ring. At 3 a.m. Long silence after I told her. Then: 'Did you open the door?' I said no. Another silence. She said: 'Good. Go back inside.' Then she hung up. My phone was at 11%. Charger upstairs. October, 3 a.m., a village with no taxis and no night bus.

I still needed the £180. I know how that sounds. I went back inside. I want to be honest about that. I went to charge my phone. The cable-tie box was on the kitchen floor — not the counter, the floor — and it was empty. Last one gone. I photographed it. The image was sharp. There was nothing else to see.

Then, from behind the bolted cellar door — knocking. Not below. Not the floor. At hallway level. The height of a standing adult. Three knocks. Pause. Three knocks. The bolt on the outside remained closed. I was watching the cellar door. I didn't look at the window. If I had — I don't know.

But I didn't turn around. I just kept watching the door. The knocking came again. Three and three. Exactly twelve minutes apart. I picked up the mug Sylvia left on the drainer, filled it with tap water, sat with my back against the wall. Phone at 19% now. I watched the cellar door and timed the knocking.

Twelve minutes. Exactly. Every single time. A man's voice, slightly hoarse: 'If you're the new sitter — don't let her tell you it's nothing. There's someone down there. She feeds them through the grate. I should have rung the police.' Eleven days ago. Seven knocks, or three. Never random.

Pipes don't count, Mark. Pipes don't count to seven and then stop. Gavin left that note and then a voicemail and then — nothing. No one came. Nobody checked. I rang 999. Not the non-emergency line this time. I held the phone up and played Gavin's voicemail straight to the dispatcher while she was still listening.

'The address is Pell Street, Ashvale. That message is eleven days old.' Three minutes before the police arrived, the knocking stopped. Then I heard the interior bolt engage — from inside a door that was bolted shut on the outside. I walked to the front step. I did not look back. Two cars and a van.

PC Hatch went in with the others. There was a long silence, then a radio crackle. She came back out and said they'd found someone. Her voice had changed register entirely. She went back in. A family liaison officer I'd never met drove me to a service station on the A-road and bought me tea and a pre-wrapped bacon roll.

She asked if I was all right several times. I kept saying yes. Two weeks later a local news site ran six paragraphs. A man found on the property. Sylvia Crane arrested on arrival back to the country. Investigation ongoing. Dry as anything. I read it so many times the words stopped meaning anything.

Sylvia's solicitor processed the £180 into my account. I didn't touch it for weeks. I wrote a memo on the transfer: 'Pell Street. Do not touch.' It sat there. I checked it was still there more than I'd like to admit. I read everything now. Terms and conditions, safety cards, house manuals — every line.

Not because I think they'll all have something wrong. Just because one of them did, and I almost treated it like a joke. The rules weren't written to keep me safe. They were written to keep whatever was down there contained. Sylvia knew exactly what was in that cellar. I still don't know how many people had the job before Gavin.

Cob was rehomed by a neighbour. I found a photo online — fat, content, asleep on a sunny sill. In the window's reflection behind the cat there is a face I do not recognise. I have looked at it many times. The list had eleven rules. I followed ten of them. Rule nine was underlined twice — whatever you hear from the cellar, do not open that door.

To this day I cannot tell you whether I did the right thing.

This story is fiction: names, places and events are invented.

All episodes · RSS feed